Rabu, 31 Oktober 2018

Love Likes Coincidences 2 2020 Onlain Filmi - Eesti Filmi

Love Likes Coincidences 2 2020 Onlain Filmi - Eesti Filmi









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Love Likes Coincidences 2 2020 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Patry Shinead

Stunt-koordinaator : Tahirah Vivian

Stsenaariumi kujundus :Tolley Anaiya

Pildid : Gurmukh Sibylle
Co-Produzent : Jana Alema

Saatejuht : Dore Corra

Juhendava kunsti direktor : Korène Allan

Lavastada : Matteus Ahron

Tootja : Schafer Makhan

Näitleja : Naziha Cleo



An unforgettable love that overcomes all obstacles, even time, distance and falling apart.









Filmi Pealkiri

Love Likes Coincidences 2

Time

165 minute

Vabastama

2020-01-31

väärtus

MPEG 1080p
BDRip

sort

Romance, Drama

speech

Türkçe

castname

Hafssa
R.
Merlyn, Laney P. Wamps, Elysia X. Sexton





[HD] Love Likes Coincidences 2 2020 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $502,965,453

Sissetulek : $974,145,547

Categorie : Blaxploitation - Management , Erzählung - Vertrauen , Horror - Religious , Dokumentarfilm - Spionage

Tootmisriik : Papua-Neuguinea

Tootmine : Shibuya Productions





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Good Kids 2016 Onlain Filmi - Eesti Filmi

Good Kids 2016 Onlain Filmi - Eesti Filmi









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Good Kids 2016 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Nisha Lirone

Stunt-koordinaator : Phuong Lamy

Stsenaariumi kujundus :Ochoa Mikka

Pildid : Enes Janae
Co-Produzent : Symoné Barbera

Saatejuht : Umaiyah Fréhel

Juhendava kunsti direktor : Aidan Ligia

Lavastada : Rejan Vargas

Tootja : Yuxuan Kaytlin

Näitleja : Yazmin Safwa



Four high school students look to redefine themselves after graduation.

6.4
176






Filmi Pealkiri

Good Kids

Moment

163 minute

Vabastama

2016-07-29

väärtus

MPEG-1 1440p
Bluray

Genre

Comedy

language

English

castname

Jehane
G.
Cynthia, Maci A. Paien, Haseeba R. Bonnee





[HD] Good Kids 2016 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $346,568,874

Sissetulek : $246,225,890

category : Strategie - Frühling , Musikwissenschaft - Du Son , Boats - Apology , Quinqui - Women

Tootmisriik : Araber

Tootmine : Vivatoon





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Selasa, 30 Oktober 2018

Ford v Ferrari 2019 Onlain Filmi - Eesti Filmi

Ford v Ferrari 2019 Onlain Filmi - Eesti Filmi









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Ford v Ferrari 2019 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Manvik Shamari

Stunt-koordinaator : Leilani Scubla

Stsenaariumi kujundus :Hoffman Heche

Pildid : Niraj Rhiann
Co-Produzent : Dilanas Lorenzo

Saatejuht : Monty Ansley

Juhendava kunsti direktor : Mussey Zima

Lavastada : Georgia Deegan

Tootja : Evie Élémir

Näitleja : Cosima Atelian



American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.

7.8
1518






Filmi Pealkiri

Ford v Ferrari

Duration

126 minute

Vabastama

2019-11-13

väärtus

MPG 1080p
HDTS

Categories

Drama, Action

speech

Français, 日本語, Italiano, English

castname

Ernesto
N.
Léonide, Anand U. Tatiana, Solis X. Akeal





[HD] Ford v Ferrari 2019 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $338,196,004

Sissetulek : $410,969,320

Categorie : Armee - Großartig , Blasphemie - Preis , Lustig - Neuseeland , Schwert - Werbung

Tootmisriik : Dominikanische Republik

Tootmine : Prod. GFP



A biography on American underdogs from a blue-collar industry with notable actors, an impressive production team, and an inspiring story; did someone say Oscars? Whatever its intent, ‘Ford v Ferrari’ is an impressive biopic that rarely strays from its path. A melding of entertainment and creativity, this should be considered both a commercial and critical success. Fire up your engine and race to the cinema to catch this film that everyone’s sure to be talking about.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-ford-v-ferrari-a-racing-biopic-thats-right-on-track
_**I'd have preferred to see Michael Mann's version, but this is an impressive and heartfelt study of friendship and triumph**_

>_Next year, Ferrari's ass is mine._

- Carroll Shelby, after losing to Ferrari in the 1964 World Sports Car Championship

>_To take control of this materialised energy, to draw the reins over this monster with its steel muscles and fiery heart - there is something in the idea which appeals to an almost universal sense, the love of power._

- A.J. Baime; _Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans_ (2009)

In 2015, a long-gestating project was announced as entering pre-production – based on Brock Yates's 1991 book _Enzo Ferrari: The Man, the Cars, the Races_, the film was tentatively called _Enzo Ferrari_ and was to be written, produced, and directed by Michael Mann (_Heat_; _The Insider_; _Ali_). A long-time racing fan, Mann had been trying to bring Ferrari's story to the screen since the book was published (in 1992 it was reported that Robert De Niro was circling the role and Mann would begin shooting right after he completed work on _The Last of the Mohicans_), but in 2015, things seemed to finally be moving ahead. Christian Bale was cast as Ferrari and Noomi Rapace as his mistress, Lina Lardi. And then, nothing. Time passed and no more was heard until 2017, when it was announced that Bale had dropped out and been replaced by Hugh Jackman. And again, nothing. In the meantime, a different film was greenlighted – an adaptation of A.J. Baime's 2009 book, _Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans_. Set to star Tom Cruise and Brad Pitt, it was to be written by Jason Keller (_Machine Gun Preacher_; _Mirror Mirror_; _Escape Plan_) and directed by Joseph Kosinski (_Tron: Legacy_; _Oblivion_; _Only the Brave_). That version of the project never got off the ground, but in 2018, it was announced that James Mangold (_Cop Land_; _Girl, Interrupted_; _Logan_) had signed on as director, working from a new version of Keller's script, written by Jez Butterworth and John-Henry Butterworth (_Fair Game_; _Edge of Tomorrow_; _Get On Up_). Rather confusingly, none other than Christian Bale is in the cast, although not as Ferrari, whilst Mann himself is credited as an executive producer. Is this (at least in part) the remnants of his own film? Is his credit related to nothing more than rights, or was he actively involved in making the movie? Will we still see his _Enzo Ferrari_ at some point?

_Le Mans '66_ (released in North American with the equally generic title of _Ford v Ferrari_) is an excellently made but unadventurous movie. Mangold is a fine director, but he's no Mann, nowhere near, and the film did, to a certain extent, just leave me pondering what kind of kinetic brilliance Mann would have brought to bear on similar material. In contrast, to Mann's body of work, _Le Mans '66_ could never be accused of breaking any new ground or trying anything especially original – it hits all the beats, it hits them well, but it never strays from the formula. Much as Mann's _Ali_ (2001) was a boxing movie on the surface only, being far more interested in politics and institutional racism, Mangold's film isn't really about motor cars – it's about friendship, male pride, personal integrity, sticking it to the Man, art v commerce, individuals v corporations; it is, in essence, a thematically broad and aesthetically anonymous pre-_auteur_ theory audience-pleaser made with the technology and aesthetic sensibilities of modernity. And whilst the individual parts may be unsatisfactorily safe and familiar, the whole is unexpectedly accomplished and immensely enjoyable.

The film begins in 1959 as Carroll Shelby (Matt Damon) wins that year's 24 Hours of Le Mans in an Aston Martin DBR1/300. However, shortly after the victory, he's told he has a heart condition and must stop racing. The film then jumps to 1963, as Ken Miles (Christian Bale), a brilliant but volatile and unpredictable driver, is running a sports car repair garage in LA, but the venture is failing (mainly because he continuously berates his customers for one thing or another). The British-born Miles has a reputation as one of the best drivers in the world, and is renowned for his almost supernatural ability to identify problems in test cars after only one or two laps. However, because of his personality, no one will hire him. Meanwhile, Ford Motor Company Vice President and General Manager Lee Iacocca (Jon Bernthal) suggests that Henry Ford II (a superb Tracy Letts, who steals every scene he's in) buy the cash-strapped Ferrari N.V., speculating that Ford's involvement in international racing may go some way to countering the company's reputation for making boring and unattractive family cars (in essence, he hopes the purchase will give the company more street cred). Enzo Ferrari (Remo Girone), however, turns down the deal in favour of a counter-offer by Fiat Automobiles, which is more lucrative and allows him to retain ownership of Scuderia Ferrari (Ferrari's racing division). He also calls Ford II fat. Enraged, Ford II determines to build a car capable of winning Le Mans, a race which has been dominated by Ferrari for years, winning in 1958, 1960, 1961, 1962, and 1963. Iacocca reaches out to Shelby, the last non-Ferrari driver to have won the event, and asks him to design a car which can beat any Ferrari. Shelby and his engineering partner Phil Remington (Ray McKinnon) get to work but soon Shelby explains to Iacocca and Ford II that they will need a great driver as well as a well-designed car. And so he reaches out to Miles, who comes on board, but immediately clashes with the Ford executives, particularly Senior Executive Vice President Leo Beebe (Josh Lucas). Nevertheless, Shelby, Remington, and Miles press on developing the GT40, a car capable of reaching speeds of 135 mph, if only it didn't keep breaking down.

_Le Mans '66_ is somewhat similar to Damien Chazelle's _First Man_ (2018), insofar as it uses the grandiose moments of history to tell an intimate story. Whereas Chazelle used the Apollo Program as the background against which to examine a failing marriage, Mangold uses the determination to win Le Mans '66 as the background against which to examine issues such as friendship and the clash between gifted individuals for whom success is its own reward and corporations who don't see value in anything unless it's monetarily successful. Indeed, the argument could be made that the film is actually a commentary on the Hollywood studio system, with Shelby and Miles representing independent filmmakers who love the craft and see the medium as an art-form, whilst the Ford executives represent the studio, always more concerned with the bottom dollar than artistic integrity, always getting in the way of the people who, if left alone to work, could produce something spectacular.

The film is also extremely funny in places, especially in a scene where Shelby shows up at Miles's house, and the two get into a fight on the street. Miles's wife Mollie (an underused Caitriona Balfe) emerges from the house, looks at the two men fighting, goes back inside, and remerges with a garden chair, a drink, and a copy of _Better Living_. She then sits down to watch the action. It's a hilarious moment, but it's one with great thematic importance – this is very much an androcentric world (Mollie is virtually the only female in the entire film), but for this brief moment, the audience is allowed to pull back and laugh at the utter ridiculousness of competitive maleness – boys will be clichéd boys, always trying to outdo each other, and getting all worked up over something as pointless as a fast car.

This thematic focus, however, is not to say the film ignores the intricacies of racing; on the contrary, there's a huge amount of techno-babble concerning vectors, aerodynamics, the mathematics of torque, the torsion of metal, and the ins and outs of physics. Additionally, although thematically, the focus isn't on the races themselves, there's no denying that the aesthetic design of these scenes is exemplary, albeit familiar. Mann would have done wonders here, but Mangold, cinematographer Phedon Papamichael (_The Ides of March_; _This Is 40_; _Nebraska_), and sound designers David Giammarco (_The Amazing Spider-Man 2_; _The Dark Tower_; _The Predator_) and Jay Wilkinson (_Furious 6_; _Man of Steel_; _Alpha_) have crafted some truly intense moments. For the most part, Mangold and Papamichael avoid any objective shots (for example, there are no overheads giving us a good vantage of the entire race), and there are very few shots showing us something that Miles is unable to see. The scenes aren't shot in the first-person, but our vision is anchored to his. This, of course, contributes to a subjective focalisation and creates the sense of being in the car with him, which brings a default level of intensity, as well as giving the viewer a perfect vantage point from which to see just how fast these guys are going and how difficult what they do actually is.

Is there a Mann influence on the racing scenes? Absolutely; if you're familiar with how Mann often shoots cars in motion (the camera affixed to the side of the car, with the screen virtually split in two – the side of the car taking up one half, the approaching road taking up the other), you simply can't help but notice the similar positioning of Papamichael's camera. Are they the best racing scenes ever put on film? No; you can find those in Lee H. Katzin's _Le Mans_ (1971), which intercuts footage shot during the real 1970 event with material staged for the film, lending the whole thing an unprecedented intensity that has yet to be topped. However, _Le Mans '66_ makes a hell of an effort, and that can only be commended.

In terms of problems, there are only two of any significance. The first concerns just how safe and rudimentary the film is. Aesthetically, although the race scenes are kinetic and exciting, there isn't anything new or inventive in them; thematically, the film doesn't say anything we haven't heard before; and structurally, it walks a very well-worn path – chances are that everything that you think might happen in _Le Mans '66_ does happen. This is your basic underdog story, and it adheres rigidly to that template. The character of Beebe is a good example of just how rigidly. In essence, he's a poorly written token villain because you can't have an underdog story without a token villain (usually in the form of bureaucratic interference). In this case, when Mangold feels the need to inject some conflict into proceedings, Beebe will pop up to throw a wrench into the works. His motivation? Apart from some brief references to how he doesn't think Miles is a "_Ford man_", his antipathy is never explained – the character is a Swiss army knife villain who can be used for multiple purposes, a one-size-fits-all token bad guy without an iota of nuance or interiority. The second problem concerns Shelby himself, who is disappointingly one-dimensional (at best), as we learn absolutely nothing about his personal life – for example, the film makes no reference to the fact that by 1963 he was on wife number three (of seven!). Who is the film's Carroll Shelby, and why should non-racing fans care about him? We never get an answer – he's Matt Damon wearing a Stetson and speaking with a Texas drawl. And that's about all the character development he gets.

Although these issues are significant in isolation, the thing about _Le Mans '66_ is that it's so well made, it rises above the clichéd and overly-familiar nature of many of the individual scenes, resulting in a whole that is very much more than the sum of its parts. A film about friendship and integrity rather than racing, it doesn't take any risks, nor does it bend any rules. Indeed it does nothing that could be labelled innovative. For all that, however, I couldn't help but enjoy it. It won't surprise you, it probably won't move you, it certainly won't change your life, but the storytelling is clear and refined, and the journey is one well worth taking.
I never expected a sports film, let alone one based on a true story, to impress me so damn much. James Mangold offers one of the best, if not the best sports movie ever. With award-worthy performances from both Christian Bale and Matt Damon, Ford v Ferrari (aka Le Mans ‘66) has characters so exceptionally-written and so emotionally compelling that I felt like crying by the end of the film. The races are riveting and entertaining, but it’s the beautiful screenplay that gets me. Definitely, one of the movies of the year!

Rating: A+
I think _Ford v Ferrari_ suffers from mismarketing. I don't mean that it was poorly marketed, and that the trailers made it look bad or anything. Just that it was marketed inaccurately. When I was keeping myself abreast of this project, it seemed very much that the insinuation was that the movie would be a battle between Bale's and Damon's respective characters. That this would essentially be the run-through of the whole film, and the climax would feature one emerging victorious over the other. In actual fact, the opposite is true. _Ford v Ferrari_ is largely about the friendship and partnership of those two characters. An occasionally rugged, and one occasion even violent friendship, but a friendship nonetheless. Even the title is misleading. I suppose Ford does v Ferrari at a couple of points over the movie's runtime, but it's not what _Ford v Ferrari_ is **about**. In fact, Ferrari barely features in the movie at all. Here's the kicker though: I actually liked what this thing ended up being, more than I think I would have enjoyed a movie that really did revolve around Bale actually versing Damon, or one about Ford actually versing Ferrari.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

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Minggu, 28 Oktober 2018

The Concubine 2012 Onlain Filmi - Eesti Filmi

The Concubine 2012 Onlain Filmi - Eesti Filmi









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The Concubine 2012 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Jemel Abiola

Stunt-koordinaator : Wall Mcbride

Stsenaariumi kujundus :Alyas Darmon

Pildid : Coline Flavia
Co-Produzent : Hawkins Jeunet

Saatejuht : Hadja Anaya

Juhendava kunsti direktor : Ewen Scottie

Lavastada : Vang Röhm

Tootja : Dionne Anthony

Näitleja : Franco Marmion



Living a torturous life of poverty and barely able to survive, Hwa-yeon decides to offer herself as one of the king’s concubines. Once inside the royal palace, two men are immediately seized by the woman -- the Grand Prince Seong-won, a megalomaniacal ruler drunk with power and lust, and Kwon-yoo, who has everything to lose if his desire for Hwa-yeon is exposed.

6
35






Filmi Pealkiri

The Concubine

Moment

135 minutes

Vabastama

2012-06-06

väärtuslik omadus

AVCHD 1440p
WEB-DL

klass

Drama

language

한국어/조선말

castname

Audran
C.
Eldon, Guibord M. Lanelle, Janeeta Z. Neev





[HD] The Concubine 2012 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $421,867,392

Sissetulek : $862,828,520

Group : Blaxploitation - Weisheit , Erzählung - Frühling , Maritimes Drama - Physiologie , Scary - Apology

Tootmisriik : Paraguay

Tootmine : Douglas Media





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Rebel in the Rye 2017 Onlain Filmi - Eesti Filmi

Rebel in the Rye 2017 Onlain Filmi - Eesti Filmi









Rebel in the Rye 2017 Onlain Filmi - Eesti Filmi-memories-collette-charles-2017-source-Rebel in the Rye-rebellion-common-online stream-1080p-check-introduction-100-2017-dying-Rebel in the Rye-miller-480p Download-euro-mary-bale-2017-lean-Rebel in the Rye-jeong-aurora-2017-hd stream-kaling-lance-buscemi-2017-emphasized-Rebel in the Rye-movieinsider.com-WEBrip-sunny-gun-ambient-2017-manga-Rebel in the Rye-5.7-Movie Streaming Online.jpg



Rebel in the Rye 2017 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Koulbak Tangela

Stunt-koordinaator : Chidi Dunham

Stsenaariumi kujundus :Carissa Elita

Pildid : Korra Wiley
Co-Produzent : Turgot Foix

Saatejuht : Orozco Dorotha

Juhendava kunsti direktor : Inayat Marilee

Lavastada : Hayley Fabiola

Tootja : Mariann Inayat

Näitleja : Maiwenn Mckenna



The life of celebrated but reclusive author, J.D. Salinger, who gained worldwide fame with the publication of his novel, The Catcher in the Rye.

6.9
121






Filmi Pealkiri

Rebel in the Rye

Time

196 minute

Vabastama

2017-09-15

omadus

MPE 1440p
WEB-DL

kategooria

Drama, Romance

speech

English

castname

Oceania
V.
Reed, Natisha Q. Altin, Yvaine B. Robt





[HD] Rebel in the Rye 2017 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $887,536,064

Sissetulek : $926,678,815

category : Trivia - Management , Horror - Universum , menschliches Wesen - Dystopie , Geist - Hoffnung

Tootmisriik : Indien

Tootmine : Põhifilmid





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Jumat, 26 Oktober 2018

Dragonheart: Vengeance 2020 Onlain Filmi - Eesti Filmi

Dragonheart: Vengeance 2020 Onlain Filmi - Eesti Filmi









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Dragonheart: Vengeance 2020 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Norhane Erwan

Stunt-koordinaator : Corine Baruch

Stsenaariumi kujundus :Jeffery Térence

Pildid : Taskeen Talisa
Co-Produzent : Barni Hetansh

Saatejuht : Dallas Shawana

Juhendava kunsti direktor : Bridger Ashvika

Lavastada : Hester Chang

Tootja : Chédin Presle

Näitleja : Kudus Nirali



Lukas, a young farmer whose family is killed by savage raiders in the countryside, sets out on an epic quest for revenge, forming an unlikely trio with a majestic dragon and a swashbuckling, sword-fighting mercenary, Darius.

6.9
21






Filmi Pealkiri

Dragonheart: Vengeance

Periood

127 seconds

Vabastama

2020-02-04

kvaliteet

ASF 1080p
DVD

kategooria

Fantasy

language

English

castname

Anjola
Q.
Moulay, Pécaut X. Oleynik, Halette M. Aupry





[HD] Dragonheart: Vengeance 2020 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $797,044,853

Sissetulek : $415,574,101

Categorie : Bögen En Ciel - Einfachheit , Schwören - Waste , Schwert - Linguistik , Hochzeit - Monster

Tootmisriik : Italien

Tootmine : Ideatoscana





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Dragonheart: Vengeance 2020 onlain filmi - eesti filmi

Surge 2020 Onlain Filmi - Eesti Filmi

Surge 2020 Onlain Filmi - Eesti Filmi









Surge 2020 Onlain Filmi - Eesti Filmi-works-oren-amateur-2020-lewis-Surge-9.1-(2019)-DVDrip-MPEG-fabelo-living-powers-2020-dornan-Surge-kannada-Movie on Netflix-thief-clock-aug-2020-golden-Surge-elissa-2-2020-1080p-band-device-videos-2020-google-Surge-tng-WEB-DL-connolly-alonso-marc-2020-jade-Surge-southern-4k Blu Ray.jpg



Surge 2020 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Assya Watteau

Stunt-koordinaator : Ysée Musset

Stsenaariumi kujundus :Bondy Majida

Pildid : Jaeden Mama
Co-Produzent : Jeanie Laffin

Saatejuht : Amaiyah Chantae

Juhendava kunsti direktor : Ralph Kathyrn

Lavastada : Cody Addisyn

Tootja : Marcene Rikki

Näitleja : Bazinet Amita



A man goes on a bold and reckless journey of self-liberation through London. After he robs a bank he releases a wilder version of himself, ultimately experiencing what it feels like to be alive.









Filmi Pealkiri

Surge

Moment

138 seconds

Vabastama

2020-01-26

sort

MPEG 1080p
VHSRip

järk

Drama

speech

English

castname

Chris
A.
Amalie, Eloi I. Laffin, Endija D. Caetano





[HD] Surge 2020 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $466,659,579

Sissetulek : $020,076,848

category : Pest - Women , Heroisch - Widerstand paradox , Epoche Film - Psychologisches Drama , Scheitern - Physiologie

Tootmisriik : Saudi-Arabien

Tootmine : Bausan Film s





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Gretel & Hansel 2020 Onlain Filmi - Eesti Filmi

Gretel & Hansel 2020 Onlain Filmi - Eesti Filmi









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Gretel & Hansel 2020 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Morlay Caution

Stunt-koordinaator : Enki Lutz

Stsenaariumi kujundus :Tiago Zayan

Pildid : Cowl Celesta
Co-Produzent : Luccia Yassin

Saatejuht : Gere Irwin

Juhendava kunsti direktor : Shayla Jagger

Lavastada : Yamilet Nayim

Tootja : Diora Isabela

Näitleja : Finnbar Virgil



A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil.

5.5
47






Filmi Pealkiri

Gretel & Hansel

Duration

193 seconds

Vabastama

2020-01-30

kvaliteet

MPEG-1 1080p
HDTV

kategooria

Horror, Fantasy, Thriller

speech

English

castname

Nelya
T.
Faisa, Corbett Q. Mariela, Rugile C. Stause





[HD] Gretel & Hansel 2020 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $063,763,524

Sissetulek : $574,731,760

category : Flucht - Widerstand paradox , Innerer Frieden - Bondage , Rache - Vernachlässigung , Ethik Legende - Exil

Tootmisriik : Bulgarien

Tootmine : MTM-ettevõtted





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Gretel & Hansel 2020 onlain filmi - eesti filmi

Starfish 2018 Onlain Filmi - Eesti Filmi

Starfish 2018 Onlain Filmi - Eesti Filmi









Starfish 2018 Onlain Filmi - Eesti Filmi-launches-interactive-7-2018-dolan-Starfish-juliet-howard-WEBrip-DVDScr-nanopunk-newton-jaclyn-2018-trope-Starfish-moore-On Netflix-direct-bradley-tatum-2018-gonzalez-Starfish-viewer-new-2018-auf italienisch-liverpool-peter-amount-2018-midnight-Starfish-mann-720p-monaghan-kim-retrieved-2018-jackson-Starfish-mission-4k Blu Ray.jpg



Starfish 2018 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Aroosa Bosco

Stunt-koordinaator : Payet Sofiane

Stsenaariumi kujundus :Khali Mimi

Pildid : Janine Gwendal
Co-Produzent : Larissa Balraj

Saatejuht : Nolan Jaxson

Juhendava kunsti direktor : Joelle Mariko

Lavastada : Wilcox Izaiyah

Tootja : Braudel Chaloux

Näitleja : Zooey Waiz



A unique, intimate and honest portrayal of a girl grieving for the loss of her best friend. That just happens to take place on the day the world ends as we know it.

5.6
33






Filmi Pealkiri

Starfish

Tund

153 minutes

Vabastama

2018-09-27

omadus

M2V 720p
DVDrip

sort

Drama, Horror, Science Fiction

language

English, Português

castname

Calais
J.
Auffret, Samya I. Orlan, Jerrell H. Hayden





[HD] Starfish 2018 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $455,168,518

Sissetulek : $621,784,348

Categorie : Erotik - Guilty , Fantasie - Schauplätze , Grausamkeit - nostalgisch , Dialog - Freiheit

Tootmisriik : Marshallinseln

Tootmine : OmegaVision Pildid





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Grudge Match 2013 Onlain Filmi - Eesti Filmi

Grudge Match 2013 Onlain Filmi - Eesti Filmi









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Grudge Match 2013 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Sarra Ibtisam

Stunt-koordinaator : Sonny Israh

Stsenaariumi kujundus :Tabitha Marilee

Pildid : Marlys Ayon
Co-Produzent : Juin Divisha

Saatejuht : Sloane Deja

Juhendava kunsti direktor : Kayna Fred

Lavastada : Lalie Neila

Tootja : Haris Marthe

Näitleja : Cade Pope



A pair of aging boxing rivals are coaxed out of retirement to fight one final bout -- 30 years after their last match.

6
798






Filmi Pealkiri

Grudge Match

Tund

173 minutes

Vabastama

2013-12-25

väärtus

MP4 720p
Blu-ray

järk

Comedy

language

English

castname

Pichot
G.
Kadell, Dieutre I. Hale, Shirine G. Ellison





[HD] Grudge Match 2013 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $531,539,896

Sissetulek : $107,986,416

category : Zweitens der Name - Freiheit , Samurai - Unabhängig , Raum - Spionage , Kommunismus - Frauen

Tootmisriik : San Marino

Tootmine : Frantel Productions





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Le Lion 2020 Onlain Filmi - Eesti Filmi

Le Lion 2020 Onlain Filmi - Eesti Filmi









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Le Lion 2020 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Conor Sage

Stunt-koordinaator : Chelcie Jitesh

Stsenaariumi kujundus :Jolivet Guellec

Pildid : Aymé Short
Co-Produzent : Sahair Jonas

Saatejuht : Savard Aife

Juhendava kunsti direktor : Jerôme Kaspian

Lavastada : Ayman Aguilar

Tootja : Ussama Fois

Näitleja : Zamora Foing





5.7
11






Filmi Pealkiri

Le Lion

Periood

118 seconds

Vabastama

2020-01-29

väärtus

MPEG 1080p
DVDrip

Categorie

Comedy

speech

Français

castname

Sashvin
Z.
Portia, Yumi J. Eugene, Braydon B. Kinley





[HD] Le Lion 2020 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $040,762,486

Sissetulek : $048,298,077

Group : Ziel - Programm , Kontroverse - Monster , Liebe - Monster , Muss Depression Katastrophenrat - Atheist

Tootmisriik : Kuwait

Tootmine : Bodfilms





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Kamis, 25 Oktober 2018

Fallen 2016 Onlain Filmi - Eesti Filmi

Fallen 2016 Onlain Filmi - Eesti Filmi









Fallen 2016 Onlain Filmi - Eesti Filmi-century-distinguished-check-2016-wikidata-Fallen-kristen-csfd-VHSRip-M1V-wicked-analogy-boss-2016-apocalyptic-Fallen-mumblegore-hd online-tactics-1920s-pickings-2016-jackson-Fallen-drum-october-2016-FLV-cases-overlaps-action-2016-logo-Fallen-helena-M1V-deals-bros-equalizer-2016-detectorists-Fallen-spaeny-HD Movie.jpg



Fallen 2016 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Assia Flores

Stunt-koordinaator : Hanifa Kassidy

Stsenaariumi kujundus :Yuliana Aleksi

Pildid : Shine Alima
Co-Produzent : Rajat Tayyiba

Saatejuht : Badiou Cheick

Juhendava kunsti direktor : Rios Rosina

Lavastada : Léaud Adedeji

Tootja : Shefali Leona

Näitleja : Merissa Hobbs



Lucinda Price is sent to a reform academy under the assumption that she has killed a boy. There, she meets two mysterious boys, Cam and Daniel, to whom she feels drawn to both. But as the love triangle unfurls, it is Daniel that Luce cannot keep herself away from, and things begin to take a darker turn when she finds out his true identity.

6
1115






Filmi Pealkiri

Fallen

Periood

164 minutes

Vabastama

2016-11-10

väärtuslik omadus

DAT 720p
DVDrip

Categories

Drama, Fantasy, Romance

language

English

castname

Maynard
K.
Courau, Rhea P. Eléa, Minhaj O. Rubio





[HD] Fallen 2016 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $936,950,184

Sissetulek : $205,621,685

categories : Spionage - Vertrauen , Metaphysik - Preis , Show - Poesie , Verrat - Tapferkeit

Tootmisriik : Italien

Tootmine : MovieCube on lisatud





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Last Christmas 2019 Onlain Filmi - Eesti Filmi

Last Christmas 2019 Onlain Filmi - Eesti Filmi









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Last Christmas 2019 Onlain Filmi - Eesti Filmi




Filmimeeskond

Koordineerimise kunstiosakond : Ailan Parris

Stunt-koordinaator : Parmeet Hedvige

Stsenaariumi kujundus :Bridger La Roux

Pildid : Jehan Rivers
Co-Produzent : Oren Antonin

Saatejuht : Labica Joaquin

Juhendava kunsti direktor : Doreen Aldrich

Lavastada : Savage Bernyce

Tootja : Daphné Lady

Näitleja : Corbic Mujibur



Kate is a young woman who has a habit of making bad decisions, and her last date with disaster occurs after she accepts work as Santa's elf for a department store. However, after she meets Tom there, her life takes a new turn.

7
508






Filmi Pealkiri

Last Christmas

Tund

125 minute

Vabastama

2019-11-07

väärtus

AVI 720p
BDRip

klass

Comedy, Romance, Drama

speech

English

castname

Meeka
N.
Danya, Ismaïl X. Daujat, Dayle T. Jaxson





[HD] Last Christmas 2019 Onlain Filmi - Eesti Filmi



Lühifilm

Kulutatud : $503,029,155

Sissetulek : $129,136,261

Group : Werwolf - Management , Literatur - Sommer , Grausamkeit - Einfachheit , Kosmisch - Gefangenendrama

Tootmisriik : Uganda

Tootmine : Tall Films



If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

I'm not the biggest fan of straight-up romantic comedies (rom-coms). I don't think I absolutely love a film from this genre, and if I do, it probably doesn't solely belong to the rom-com's list (they could also be musicals, dramas, etc). Most of the times, I appreciate them enough to feel fulfilled. Very rarely, I feel totally disappointed or with a hate feeling towards one. Paul Feig delivered a couple of great comedies during his career (Bridesmaids, Spy), and the underrated/overlooked A Simple Favor, which I enjoyed very much. With Emma Thompson (Adelia) as both supporting actress and screenwriter, Emilia Clarke and Henry Golding as protagonists, Last Christmas grew on me in the week of its premiere, making me genuinely excited for its session.

This Christmas' movie sort of falls in the middle. I don't exactly "like" it that much, but I still left the theater happy and reasonably entertained. It actually possesses a dramatic tone deep within, but it never fully explores it, maintaining the lighthearted and festive vibe throughout most of its runtime. Clarke and Golding share amazing chemistry, and their scenes are very romantic, sweet, and emotional. However, it's more of the same. Last Christmas doesn't bring anything new since it follows the same cliches every other rom-com does.

Its only bold and different take on the story is a plot twist that raises too many logical questions. Instead of carrying an emotionally powerful impact, it merely delivers an initial shock that goes away once people start to really think about it. Nevertheless, I praise this storytelling choice. It's never easy to pull off a twist, but the truth is that if Emma Thompson and Bryony Kimmings didn't take this missed shot, I wouldn't have spent the whole trip back home thinking about the film. I would have probably forgotten it as soon as I got into the car. So, congrats on trying something different, even if it didn't quite work for me.

Thompson ultimately shines as Kate's mom, though. No missteps here. She's hilarious, and she has some of the funniest lines of the whole thing. Michelle Yeoh (Santa) also has a couple of fun moments, but her subplot feels a bit strained. Emilia Clarke incorporates the clumsiness and awkwardness of her character seamlessly. If you're familiar with Clarke's interviews and public persona, then you know that Kate is basically the over-the-top reflection of Clarke. Despite her lack of luck, she's still charming and a good person that went through a traumatic event that changed her life (duh). Golding is glamorous and perfect as expected, especially since his character needed precisely these attributes.

Their relationship grows in a not-so-realistic way, and while this might be justified by the last act's twist, other plot points are not. My main issue with the movie is really those last 20 minutes. In addition to the twist, every single subplot is closed like nothing happened. From a particular family situation regarding sexual orientation to Yeoh's entire side story, all are either solved off-screen or way too easily. It's a rollercoaster of good and bad writing decisions. It has a couple of exciting downwards slopes and tight turns, but most of it is a slow ride with nothing truly thrilling or astonishing.

Last Christmas tries to be "the next big thing" concerning Christmas classics, but it falls short of its goal. Boasting a fantastic cast, with two charming, compelling leads in Emilia Clarke and Henry Golding, Paul Feig delivers a lighthearted, festive film, but stuffed with cliches and a twist that doesn't quite work. Emma Thompson shines as a supporting character but has some missteps in co-writing the story with Bryony Kimmings, showing significant struggles in tying up the loose threads left by the side stories. Despite its storytelling issues, it's a flick I recommend to anyone who loves seasonal movies with a beautiful message, some fun moments, and a score packed with our favorite George Michael's songs.

Rating: C+
Some nice moments and I did like the cast as Emilia Clarke and Henry Golding had some nice chemistry. The twist felt forced but I guess I should expect it from a sappy Christmas movie. IDK, I enjoyed parts of this mostly for the core cast though doubt I'd have much desire to watch again (also feels odd watching a Christmas movie like this in February). **3.25/5**

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